Oliver Woodward (Brendan Cowell) is a late inductee into the campaign on the front who must prove himself to his fellow Aussies who have been in the trenches for some time. It's literally hell on earth. But these soldiers belong to a special unit. The tunnelers. Their job, to subvert the enemy from beneath. They are soon sent to one of the great Fronts of WW1 in Belgium, to an area known Hill 60 which is currently dominated by the Germans. There is a plan in place, but can they pull it off? It's claustrophobic. It's tense. There is constant shelling. The guns shots come from nowhere. You can understand how many were driven mad by it and why PTSD was then called Shell Shock.
This film works on so many levels. A brilliant taut script by David Roach based on the actual diaries of Woodward who shows us that there is more at stake here than gaining mere inches of ground. There is the tenacity of man. The blunt simple-mindedness which is required to get the job done, but which can also blind some men from the truth. War is stupid. It's a game. And yet they are not merely soldiers. We get an insight into their lives, predominately through Woodward himself, which juxtaposes how horrific war is. We get an idea of the German position too. Often they are faceless enemies but here we get a little insight into the men on the other side of the muddy walls.
It's a suspenseful film, directed with real flair and mastery of the medium, by actor Jeremy Sims, (whose first film, Last Train to Freo was rather an languid affair). Once again he works within an tight budget, (like all Australian films, except for that unmentionable one), but he puts you into the mud and the water and the darkness underground.
Brendan Cowell looks rather too old for the part (he' s supposed to be 25). But really he plays Woodward to perfection. The supporting cast is also first class. Steve Le Marquand shows his depth and is totally believable. It's welcoming to see John Stanton back. We don't see him enough in Australian film. He has a strong presence and that amazing voice. He is an underused icon. I barely recognized Jacqueline McKenzie, who looks ten years younger than she is. She is always a pleasure to watch. Her on screen daughter played by Bella Heathcote is a real talent too though Aden Young's brief odd appearance seemed unconvincing. The tunnelers themselves, all work together to bring a on-screen camaraderie and presence. Credit must go to Sims and Roach for this collective working dynamic. Also noted are the chillingly effective 5.1 sound effects and a classy score by legendary composer Cezary Skubiszewski.
See the trailer at https://www.youtube.com/watch?v=uYOpCJCl5L4